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Please use this identifier to cite or link to this item: https://hdl.handle.net/10321/2721
DC FieldValueLanguage
dc.contributor.advisorStarkey, Anthony Roland-
dc.contributor.authorAnderson, Vanessaen_US
dc.date.accessioned2017-11-15T08:15:39Z-
dc.date.available2017-11-15T08:15:39Z-
dc.date.issued1999-
dc.identifier.otherDIT89367-
dc.identifier.other90125-
dc.identifier.urihttp://hdl.handle.net/10321/2721-
dc.descriptionDissertation submitted in partial compliance with the requirements for the Master's Degree in Technology: Fine Art (Painting), Technikon Natal, Durban, South Africa, 1995.en_US
dc.description.abstractThe financial assistance of the Centre for Science Development (HSRC, South Africa) towards this research is hereby acknowledged. Opinions expressed and conclusions arrived at, are those of the author and are not necessarily to be attributed to the Centre for Science Development.en_US
dc.format.extent226 pen_US
dc.language.isoenen_US
dc.subject.lcshArt, South Africanen_US
dc.subject.lcshArtists--South Africaen_US
dc.titleThe use of abstraction by Bill Ainslie and David Koloaneen_US
dc.typeThesisen_US
dc.description.levelMen_US
dc.identifier.doihttps://doi.org/10.51415/10321/2721-
local.sdgSDG17-
item.grantfulltextopen-
item.cerifentitytypePublications-
item.openairetypeThesis-
item.languageiso639-1en-
item.fulltextWith Fulltext-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
Appears in Collections:Theses and dissertations (Arts and Design)
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