<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-19T02:15:31Z</responseDate><request verb="GetRecord" identifier="oai:openscholar.dut.ac.za:10321/5630" metadataPrefix="oai_dc">https://openscholar.dut.ac.za/server/oai/request</request><GetRecord><record><header><identifier>oai:openscholar.dut.ac.za:10321/5630</identifier><datestamp>2025-04-03T01:05:00Z</datestamp><setSpec>com_10321_7</setSpec><setSpec>col_10321_8</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
   <dc:title>I love Turtles! A Visual art practice-based exploration of the emergent endangered sea turtles of the KwaZulu-Natal Coast</dc:title>
   <dc:creator>Human, Nicolaas Cloete</dc:creator>
   <dc:contributor>Chapman, Michael</dc:contributor>
   <dc:contributor>Wade, Jean Philippe</dc:contributor>
   <dc:subject>Endangered sea turtles</dc:subject>
   <dc:subject>Paintings</dc:subject>
   <dc:subject>Visual art</dc:subject>
   <dc:subject>Endangered species--South Africa</dc:subject>
   <dc:subject>Endangered species in art</dc:subject>
   <dc:subject>Sea turtles</dc:subject>
   <dc:subject>Sea turtles in art</dc:subject>
   <dc:subject>Geology, Stratigraphic--Anthropocene</dc:subject>
   <dc:description>Submitted in fulfillment of the requirements of the Degree of Doctor of Philosophy in Visual and Performing Arts, Durban University of Technology, Durban, South Africa, 2024.</dc:description>
   <dc:description>The study aims to explore and portray awareness of the endangered sea turtles on the east coast&#xd;
of southern Africa. The approach proceeds by way of considering environmental contexts, both&#xd;
societal and artistic, against which I place my own paintings, together with my reflection on the&#xd;
motif of the sea turtle. I explore salient points of the social context, which may be broadly&#xd;
classified as the ‘Anthropocene’ debate. The discussion of the Anthropocene and the selective&#xd;
examination of activist ecological artworks may be described as qualitative in their assessment&#xd;
and evaluation of the academic literature in the field. Similarly, qualitative is the description of&#xd;
my field work in the intervention of scientists and practitioners in the lives of the east coast&#xd;
turtles. When I turn to my own paintings, the method is that of practice-based research: as a&#xd;
way of artistic production of an aesthetic object, the production accompanied by my placing of&#xd;
the paintings within a broad ‘history’ of the genre while, at the same time, I reflect upon my&#xd;
practice. How might my paintings question, or even attempt to bridge, an ontological division&#xd;
between the human and the non-human world, as associated with the Anthropocene?</dc:description>
   <dc:description>D</dc:description>
   <dc:date>2024-10-16T09:09:21Z</dc:date>
   <dc:date>2024-10-16T09:09:21Z</dc:date>
   <dc:date>2024-08</dc:date>
   <dc:type>Thesis</dc:type>
   <dc:identifier>https://hdl.handle.net/10321/5630</dc:identifier>
   <dc:identifier>https://doi.org/10.51415/10321/5630</dc:identifier>
   <dc:language>en</dc:language>
   <dc:format>185 p</dc:format>
   <dc:format>application/pdf</dc:format>
</oai_dc:dc></metadata></record></GetRecord></OAI-PMH>